Jason Logue is a freelance trumpet player, composer, and arranger based in Toronto. He has performed with jazz greats Sam Rivers, Carla Bley, The Woody Herman Orchestra, Dave Brubek, Phil Nimmons, Dave Grusin, Louis Belson, Steve Swallow, Kenny Wheeler, Dee Dee Bridgewater, Guido Basso, Jim McNeeley and Rob McConnell.
He is best known for his Lead Trumpet work with David Clayton-Thomas, Emille-Claire Barlow, Laila Biali, Manteca, John Macleod, Kirk MacDonald, Manteca, Brian Barlow, N.O.J.O, Brian Dickinson, Mike Malone and Darcy Hepner.
As a freelance lead trumpeter, Jason has backed up artists such as Take 6, Michael MacDonald, Carvin Wynans, Diana Krall, John Pizzarelli, Rufus Wainwright, Aretha Franklin, Daniel Lanois, Chantal Kreviazuk, Shirley Bassey, The Funk Brothers, Johnny Mathis, Jeff Healey, Mary Wilson, Bernadette Peters, Marie Osmond, Ben Vareen, Hal Linden, Don Rickles, Joan Rivers, Bobby Vinton, Little Anthony and the imperials, The Temptations, The 4 Tops, The Platters, Maureen McGovern, Robbie Lane and the Deciples, The Coasters, Martha Reeves, The Spinners, Frankie Valli, Fabian and Bobby Ridell.
Jason leads his own group, the Jason Logue Sextet (great name, eh!?) performing his original music.
Jason has also performed in the Toronto productions of the musicals Matilda, Book of Mormon, Kinky Boots, Motown, If/Then, Aladdin, Dirty Dancing, Hairspray, The Last Empress, The Sound of Music, West Side Story, The Rat Pack, Cinderella, Jersey Boys, The Addams Family, 9 to 5, Come Fly Away, Young Frankenstein and Hair. As well, Jason has performed with the Toronto Symphony Orchestra and the National Arts Center Orchestra (Ottawa) as a guest 1st trumpet for many pops concerts.
Jason is currently on the Faculty at The University of Toronto and Mohawk College and is an adjudicator for Musicfest Canada.
Paul Benton has been a professional musician for over 45 years, playing jazz, Latin and classical styles, and bringing fresh interpretations to the American Songbook. Based in Hamilton, he has performed in Europe and throughout North America. From 1988-1995, he and Roxanne Horbett-Benton, artist and designer, ran the Bay Area Jazz Society, producing festivals and a jazz magazine, The Riff. He has played Ontario Place, Roy Thompson Hall, Hamilton Place, Redeemer College, Hess Street Jazz Festival and Festival of Friends. For the last few years, he has been living in Victoria BC.
Review: “Benton was in raging form at the piano, striding and strutting around with two-fisted blizzards of note-filled solos in contrast with lyric vocals.” Hugh Fraser (Music Critic for Hamilton Spectator)
George Grossman/Brandon Walker
George has been playing jazz guitar and immersing himself in the Classic American songbook both as a guitarist and vocalist for over two decades. This material, as well as the blues, is really the fountain of all popular music.
As a jazz musician, George has played many jazz festivals and venues across North America. From the prestigious National Art Center in Ottawa down to nightclubs, restaurants and private functions. Since moving to Florida, George has performed jazz at the well known Heidi’s Jazz Club in Cocoa Beach, FL, the exclusive Jazz Tastings Club in Orlando, the Port Orleans Resort at Disney, the well established jazz venue, the White Wolf and countless others.
Brandon Walker is a creative and versatile composer, pianist, saxophonist and recording engineer with over 30 years of experience. Originally from Southern California, Brandon has been a part of both the LA and Toronto Music scenes, performing at countless venues (Roxy, The Whisky, The Derby) and jazz festivals (Playboy Jazz, Hollywood Florida, Toronto, Brantford, Orangeville, Markham Jazz Festivals, Steel City, Port Credit Southside Shuffle). In addition to his solo albums, Brandon has been featured with many groups and CD’s, including the Swingin’ Deacons, the Jazz Connection Big Band, the Jimmy Stahl Big Band, Ragwax, Men of Jazz Octet, and George Grosman with Bohemian Swing. As a member of ASCAP, his compositions have been heard in film and television, as well as on National Public Radio and many other radio stations across North America.
Born in Ottawa, NICK MACLEAN is “one of the most gifted young Toronto pianists to come along in the last few years ” (Adrean Farrugia, Juno winning jazz pianist) and has quickly become one of the most in demand 20-something piano players in that city’s bustling jazz scene. Nick received his Bachelors of Music from Humber College in 2013, having studied with David Restivo, Bernie Senensky and Nancy Walker. He then went on to do a Masters in Jazz Performance at the University of Toronto researching synthesizer pedagogy while studying under David Occhipinti, Andrew Downing, Chris Donnelly and David Braid. Braid in particular had an enormous influence on how Maclean approaches playing and composing. Among his list of mentors Nick has studied and performed with “Canada’s pre-eminent jazz trumpet player” (NYC Village Voice), the highly decorated BROWNMAN ALI who signed Maclean to his Brooklyn-based jazz label BROWNTASAURAS RECORDS in 2016 and later brought him on board as a label manager.
Nick leads the hard-swinging NYC-style jazz ensemble the NICK MACLEAN QUARTET. Formed in 2016, Maclean’s foursome delivers jazz between the two poles of thoughtful introspection and powerhouse conveyance, taking influences from Herbie Hancock’s primordial 1960’s Blue Note era recordings, while paying tribute to some of the greatest improvisers in jazz history. The group released their debut album RITES OF ASCENSION in November 2017 which was featured as on of the Global Music Award’s ‘Top 5 Albums of Spring 2018’, was nominated for CJSF’s ‘Julian Award of Excellence’ and won 3 ‘Gold’ Global Music Awards in the ‘Jazz’, ‘Album’, and ‘Instrumental’ categories.
Maclean also leads the multi award-winning, groove-based, electric jazz project SNAGGLE, a group with a fearlessly muscular yet introspective sound likened to a cross between ‘electric-era Miles Davis’ and ‘Rage Against The Machine’. SNAGGLE’s uniquely brash and infectious brand of jazz-funk is a melodically driven sound which incorporates primal groove qualities more commonly associated with pop and rock, swinging their live show from quietly contemplative all the way to explosively fierce – sometimes all within the same tune. Their latest release THE LONG SLOG was awarded 3 ‘Gold’ Global Music Awards in the ‘Band’, ‘Album’, and ‘Creative’ categories, a Toronto Independent Music Award and a nomination in the international Independent Music Awards for ‘Best jazz/funk/fusion Album of the Year’. From Miles Davis & Herbie Hancock to Weather Report & Snarky Puppy, Maclean’s musical influences are diverse.
Both of Maclean’s groups feature the internationally acclaimed jazz-trumpet iconoclast BROWNMAN ALI and are signed to BROWNTASAURAS RECORDS, a Brooklyn-based independent record label widely regarded as a vanguard for Canadian, forward-thinking jazz, and where Maclean works as a label manager. Most recently Maclean is hard at work on a solo piano record taking influences from his two divergent ensembles as well as some of the greatest jazz piano players in history – Herbie Hancock, Bill Evans, Chick Corea, and Brad Mehldau
Heralded as “Canada’s preeminent Jazz trumpeter” by NYC’s Village Voice, multi-award winning trumpet player BROWNMAN ALI stands at the forefront of innovation in the Canadian jazz community. Born in Trinidad, schooled in New York and now splitting his time between Brooklyn and Toronto, he is known for his bombastic playing style, rich improvising language and his use of modern electrics coupled with trumpet. He is a protégé to his teacher & mentor, Grammy-winning trumpet legend, RANDY BRECKERand tirelessly leads 8 unique ensembles of his own including the National Jazz Award winning Miles Davis influenced BROWNMAN ELECTRYC TRIO, and the internationally acclaimed CRUZAO latin-jazz quintet.
From 2006 to 2010, Brownman was the featured soloist for 4 world tours with the legendary New York City jazz-hip-hop artist GURU (of Gangstarr fame) for his JAZZMATAZZ ensemble (replacing Donald Byrd in that group), catalyzing a cover story in CODA magazine. In Dec 2009 Brownman would launched his own independent Brooklyn, NY based record label Browntasauras Records, with the BROWNMAN ELECTRYC TRIO (2007 National Jazz Award winners for “Electric Group of the Year”) debut recording Juggernaut as it’s flagship release along with re-issues of his entire back-catalog from other groups he leads. The 2013 B.E.T. release of Gravitation went to #4 on the iTunes jazz charts in the USA. Since 2015 new artists are being signed yearly to the label, including Nick Maclean Quartet, Snaggle, Modus Factor, Jason Wilson’s Division One, Sean Dennis Quartet & the Socialist Night School. The label is unique in that 100% of all proceeds goes directly back to the Artists — the able itself making exactly 0%, in service to catalyzing the creation new jazz art.
In high demand in the studio world with over 300 CD appearances to date, Brownman delivers stylistically authentic horn playing over a wide range of styles from bebop to hiphop having recorded or toured with the likes of Guru’s Jazzmatazz (replacing Donald Byrd in that primordial ensemble), Jay-z, Missy Elliot, Mos Def, Quincy Jones, Paul Simon, Mingus Dynasty Big Band, Gary Bartz, John Scofield, Wayne Shorter, Chucho Valdes & far too many more to name here.
A highly decorated artist, Brownman’s accolades include 2 National Jazz Awards (11 nominations over the years), a CBC Galaxie Rising Star award, a SOCAN composers award, Montreal Jazz Fest’s “Grand Prix Du Jazz” award, 5 Toronto Independent Music Awards (& 13 nominations), an International Independent Music Award, 6 Global Music Awards, was a finalist in the American Song Writing competition & a semi-finalist in the International Song Writing competition, an induction into the WHO’S WHO IN BLACK CANADA, a BRAVO! channel documentary on his life, NOW magazine naming him “Toronto’s Best Jazz Musician”, CBC Radio Canada named him “one of the most recorded trumpet players in Canadian history”, the Trinidad & Tobago Consulate General awarded him with a citation for being a “Distinguished National of Trinidad”, and was once listed by Air Canada as one of the “Top 10 reasons to visit Toronto”.
Now splitting his time between Toronto, Canada and Brooklyn, New York, Brownman Ali is nationally recognized as one of the most unique and provocative improvising trumpet players in the nation, always on the cutting edge of modern music. He has achieved international recognition while touring the globe, and is now widely regarded as a vanguard for the evolution of Jazz in Canada.
Brownman also holds a degree in physics, a minor in philosophy, writes the brass column for Canadian Musician Magazine and is an often called upon international lecturer and clinician on such topics as “advanced jazz harmony”, “hip-hop and the modern jazz improviser” & “latin rhythms for the jazz improviser”.
Heather Bambrick is a JUNO-nominated vocalist, voice actor, broadcaster, and educator, who has collaborated with Phil Nimmons, Fred Hirsch, Gene DiNovi, Guido Basso, Lea Delaria, Anne Hampton Callaway, Jackie Richardson, Ian Shaw, Rob McConnell, Peter Appleyard, the Toronto Symphony Orchestra, the Windsor Symphony Orchestra, the Newfoundland Symphony Orchestra., and many others. She is also a founding member of the Jazz/Cabaret ensemble Broadsway.
Heather’s recordings It’s About Time and Those Were The Days have received critical acclaim and ECMA nominations. Her latest album You’ll Never Know was nominated for a 2017 JUNO Award for Vocal Jazz Album of the Year and a 2018 ECMA for Jazz Recording of the Year. Heather’s been a featured guest on numerous recordings, including those of Peter Appleyard and the Breithaupt Brothers, and she has been awarded Canada’s National Jazz Award for Vocalist of the Year.
Heather is one of Canada’s busiest voice actors, appearing in commercials and voicing characters on animated series for various networks. She is currently a regular on Emmy-nominated series Wild Kratts, Daniel Tiger’s Neighborhood, and Justin Time. In 2001, she began broadcasting at JAZZ.FM91 and currently hosts “Jazzology” and “Sunday Afternoon Jazz”. Heather has twice been named National Jazz Awards’ Broadcaster of the Year.
Heather is a graduate of the University of Toronto Faculty of Music (Jazz Studies), and has taught at U of T, Humber College, and the Royal Conservatory of Music. She remains active as a clinician at schools and festivals across Canada.
Juno-award winning Jazz Saxophonist, Composer and Arranger, Allison Au refuses to be defined. Born to a Chinese father and Jewish mother, and raised in the multicultural metropolis of Toronto, Allison found music as a young child. Exposed to a wide array of musical styles, she was captivated by the unhinged freedom of Jazz. Jazz became Allison’s lab for self-expression, exploration, and musical experimentation. Her work weaves a mosaic of influences into a seamless and soulful sound, a concoction steeped in the tradition of Jazz but skillfully laced with elements of Classical, Pop, R&B/hip hop, Latin, and world music.
Au’s music transports you to a place where instrumentals ring bold and emotions run free. Melodies cascade and collide, highlighting Au’s gift for layering voices and rhythms. Her writing showcases the color and character of each instrument, while providing ample room for her band mates to push her compositions to new heights.
Au earned her first Juno nomination for her debut album, “The Sky Was Pale Blue, then Grey” in 2013, and in 2016 seized the Juno for “Best Jazz Album of The Year: Group” for “Forest Grove.”
Formed in 2009, the Allison Au Quartet has toured extensively in Canada and the US. The group was awarded the TD Jazz Fellowship Scholarship (2011), The Alfred and Phyllis Balm Scholarship (2012), and The Margareta and Benno Nigg Scholarship (2013) for three consecutive artist residencies at the Banff Centre.
Most recently the Allison Au Quartet has won the 2017 Montreal Jazz Festival TD Grand Prix de Jazz, received the 2017 Halifax Jazz Festival Sting Ray Rising Star Award, and was named a 2017 Finalist for Toronto Arts Foundation Emerging Jazz Artist Award.
DIANA BRAITHWAITE -A vintage and classic jazz & blues performer
Born in Toronto, Canada, Diana Lee Braithwaite grew up crooning jazz and blues classics that were played by her elder brother jazz pianist, Victor Cornell Braithwaite.
When Diana Braithwaite sings, you hear passion, with sultry stories of life beautifully expressed through music. Braithwaite is a descendant of the Wellington County pioneers in Canada. With roots in the southern United States her ancestors escaped slavery through the Underground Railroad and lived for four generations in Wellington County, the first African-Canadian pioneer settlement in Ontario, Canada. Growing up, Diana spent summers in Montreal, Quebec, in a place called “Little Burgundy”, the historic African-Canadian neighbourhood where her father and the great jazz musician Oscar Peterson were both born. Dubbed “a national treasure” by JAZZ FM’s Radio host Danny Marks, Diana Braithwaite combines elements from Dinah Washington, Sarah Vaughan, Esther Phillips and others to create her own unique appealing and expressive jazz and blues style.
CHRIS WHITELEY- A vintage cornet and trumpet jazz & blues performer
Kansas born multi-instrumentalist Chris Whiteley has had an illustrious music career spanning some 40 years. Whiteley’s extensive touring career includes working with many renowned jazz and blues legends such as Eddie “Cleanhead” Vinson and countless appearances on television and radio including a special guest appearance on Saturday Night Live with the international recording jazz artist Leon Redbone. A multiple award-winning international touring horn player, Chris Whiteley is also a sought-after recording artist and has appeared on over 250 recordings over his successful career as a trumpet and cornet player. Whiteley, who blows his trumpet with a clear tone and a sublime unique jazz style, has received numerous Canadian Maple Blues Awards as both songwriter and horn player of the year and a Jazz Report Magazine Blues Album of the Year Award. In 2010 Whiteley was awarded the prestigious BLUES WITH A FEELING AWARD, for lifetime achievement in the blues. In January 2014 Chris Whiteley won the Maple Blues Award for the top blues horn player in Canada–for the 7th time.
Broadsway … the brilliant combination of fabulous voices, clever arrangements, excellent music, and side-splitting humour!
Heather Bambrick (JUNO-nominee, National Jazz Award “Vocalist of the Year”), Diane Leah (Dora Mavor Moore Award nominee), and Julie Michels (international touring artist) combine their respective musical experience and influences in a show that is eclectic, funny, and very musical!
From the moment they first hit the stage together, Broadsway has been creating quite a buzz – aswell as a steadily growing fan base – in every venue they’ve played, from Roy Thomson Hall and the Jazz Bistro in Toronto, to Birdland and the Metropolitan Room in New York. They’ve been featured in some of Canada’s top Jazz and Cabaret festivals, as well as various concert series and feature presentations. Their music brings together a repertoire that ranges from Jazz and Theatre, to Pop and even Classical… all delivered with passion, power, poignancy, and plenty of humour!
Broadsway released their debut CD Old Friends to rave reviews, and followed that up with seasonal release The Most Wonderful Time … Maybe, hailed by CBC Radio (Canada’s national broadcaster) as “a musical version of the best office Christmas party ever!” Their show has since expanded to include Broadsway with Symphony, featuring gorgeous orchestrations of some of the Broads’ (and their fans’) favourite arrangements. Broadsway’s symphony show debuted in 2016, with additional shows planned through 2019.
Audiences, fans, and critics agree: Broadsway should never be missed!
Brad Cheeseman is a JUNO-nominated bassist and composer from Hamilton, Ontario. A much sought-after musician both on stage and in the studio, Cheeseman’s lyrical bass playing and melody-driven compositions have been featured on Canadian, American, and European stages, and captured on four original recordings.
Cheeseman’s newest recording, The Tide Turns, chronicles a period of change, self-discovery and reinvention, and reinforces the cornerstones of his music: engaging melodies, playful rhythms, and an honest, emotional core. The album comes on the heels of winning the Montreal Jazz Festival’s coveted Grand Prix de Jazz with his acclaimed Brad Cheeseman Group, a contemporary jazz quintet that has been performing and recording since 2012.
Brad Cheeseman’s previous releases include 2016’s Figurants EP, (a collection of compositions based on the novel Infinite Jest), 2015’s Brad Cheeseman Group, and 2013’s Mixed Messages EP. These albums have received airplay across Canada, won two Hamilton Music Awards and have been nominated for three Toronto Independent Music Awards.
In addition to his work as bandleader, Cheeseman has had the privilege of performing with many great Canadian jazz musicians, including Colleen Allen, Bruce Cassidy, Terry Clarke, Don Englert, Adrean Farrugia, John Macleod, Mike Malone, Reg Schwager and Nancy Walker.
Born in Nigeria, Thompson Egbo-Egbo came to Toronto with his family at the age of four and started playing piano two years later. His talents were quickly developed through a local music school, created specifically to provide neighborhood kids with affordable lessons. Egbo-Egbo went on to study Jazz Performance at Toronto’s Humber College and then, with the help of a partial scholarship and several benefactors, attended Berklee College of Music in Boston for three years.
He later expanded his studies into production and sound design, which led to composing music for the Canadian Contemporary Dance Theatre, and performing with the London production of the popular Canadian stage play, Da Kink In My Hair. This in turn brought further opportunities, including playing for Quincy Jones, as well as for H.R.H Prince Charles, H.R.H. Prince Edward, and H.R.H. Prince Phillip. He also recorded and toured with Toronto R&B artists, Ayah and Saidah Baba Talibah.
Perhaps one of Egbo-Egbo’s greatest career milestones came in 2007 when he was commissioned to produce a medley for that year’s Canadian Songwriter’s Hall of Fame induction ceremony, a class that included no less than Joni Mitchell. This wealth of experience eventually resulted in Egbo-Egbo releasing his first solo album, Short Stories, in 2014. In some ways, it encapsulated his life’s journey to that point and laid the foundation for the exciting directions his music has taken on A New Standard.
When reflecting on his choices for A New Standard, Egbo-Egbo says, “It’s funny how sometimes songs become more meaningful after they’ve been recorded. For example, we’d been playing ‘Make You Feel My Love’ for some time just because it’s a beautiful melody, but after really absorbing the lyrics—both on Dylan’s original and Adele’s interpretation—it began to take on a much deeper significance for me and I’m really proud of the version on the album.
“And as far as doing Radiohead’s ‘Exit Music (For A Film),’ I’d heard it for the first time in a long time, and it suddenly struck me how many other pieces I heard within it, from Chopin to Jobim’s ‘How Insensitive.’ Once we worked it out as a trio, we knew we had to record it. It’s simply just a cool song.”
Such boundless musical curiosity and inventiveness is what continues to drive Egbo-Egbo creatively, and also motivates him to help a new generation of Toronto kids to transcend their social and economic circumstances through music, just as the Dixon Hall Music School in Regent Park helped him. Specifically, the Thompson T. Egbo-Egbo Arts Foundation has run a program in the Jane/Finch neighborhood teaching composition to kids, and has also collaborated with Regent Park urban music artist Mustafa the Poet on a video, Spectrum Of Hope, intended in part to showcase the community’s revitalization.
Egbo-Egbo’s mantra has long been that you always make the best choice if you have a choice. Perhaps it could be added that music is rarely ever the wrong choice. “I was very fortunate when I was a kid,” he says. “So I feel I kind of have a responsibility to be an example of how when you give a kid opportunities, it can lead to real results. Some people still don’t realize how isolated many communities are, so engaging with them, and encouraging others to do likewise, will always be the main goal of my Foundation, and, in essence, my music as well.”